Professor of BassoonDepartment:
- (585) 274-1479
George Sakakeeny received a Bachelor of Music degree from the Eastman School of Music in 1978, and has appeared as a soloist with orchestras throughout North and South America, Europe, and the Far East, including engagements in Vienna at the historic Musikverein, with the Cleveland Orchestra at Severance Hall, in Paris with members of the French National Orchestra, and on a nationally televised concert in Japan under the baton of Seiji Ozawa. Three major works for bassoon and orchestra have been written for him: Libby Larsen’s full moon in the city (2013), Peter Schickele’s Bassoon Concerto (1998), and Viennese composer Alexander Blechinger’s Faggottkonzert (1997).
In 1993, Sakakeeny performed the world premiere of Michael Daugherty’s Dead Elvis with Boston Musica Viva. As a soloist, he has recorded Blechinger’s Faggottkonzert with the Kiev Camerata for the Harmonia Classica label.
Sakakeeny last taught at at the Oberlin Conservatory. In addition to his Eastman appointment, he serves as visiting professor for graduate studies at Simon Bolivar University in Caracas, Venezuela, and guest professor at the Central Conservatory of Music of Beijing. He is also principal bassoonist of the Eastern Music Festival Orchestra each summer.
Sakakeeny formerly held principal bassoon positions of the New Japan Philharmonic, Handel & Haydn Society of Boston, Opera Company of Boston, Boston Musica Viva, Promusica Chamber Orchestra of Columbus, and CityMusic Cleveland. He has also served as principal bassoonist of the Grand Teton Music Festival, New Hampshire Music Festival, and Peninsula Festival, and has performed extensively with the Boston Symphony and Boston Pops orchestras.
Many of Sakakeeny’s former students have gone on to hold positions in symphony orchestras, chamber ensembles, and universities throughout North and South America and the Far East. He has been invited to teach master classes at three conferences of the International Double Reed Society and is regularly